![]() Still, that makes for Muse’s most enjoyable album since the 00s. It’s all consistently inventive rather than dull, but also endearingly daft rather than chilling. The album is largely based on George Orwell. There are echoes of Queen at their most overblown throughout, most notably on Liberation, along with the band’s usual cross-pollination of genres – metal on Kill or Be Killed danceable synthpop on Compliance U2-like stadium rock on Verona stomping glam on the title track – with bombast the sole constant. The Resistance is the fifth studio album by English alternative rock band Muse, released in Europe on 14 September 2009. Audio Download Uprising MP3 by Muse Check-Out this amazing brand new single + the Lyrics of the song and the official music-video titled Uprising by a mulitple award winning hip hop recording artist Muse who is known for releasing amazing song that will get you exited and elevate your mood with it’s vibe, catchy hook and incredible production. Unfortunately, the message is diluted by the inevitably OTT hysteria of the delivery, the trio’s arrangements frequently overwhelming Bellamy’s words in a blizzard of musical gymnastics. One way or another, a sense of dread permeates almost every song. Muse’s angst isn’t confined to state-of-the-world addresses either: the personal misery of an abusive relationship is dissected on You Make Me Feel Like It’s Halloween. This is the very definition of a super-sized album, an album that takes its cues from Queen, its lyrics from science fiction novels, and its delivery from rock opera. ![]() He has rediscovered his paranoid mojo for the band’s ninth album – and how… Will of the People confronts variously the rise of populism and dictatorships (the title track), wildfires, earthquakes, Covid and, well, everything (We Are Fucking Fucked, presciently written before Liz Truss declared her candidacy for the Tory party leadership). With its titanic guitar solos, symphonic suites, and multi-layered melodies, Muse's fifth album operates under the assumption that bigger is better. Muse’s Matt Bellamy has been writing songs about a dystopian near-future for years, so it seemed strange when, well into the age of Trump and Brexit, he reined in his lyrical excesses for 2018’s Simulation Theory.
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